GARAGE Beat Blues Funk Instro Mod (Power)Pop Psych(obilly) Punk Rhythm'N'Blues Rock(abilly) Soul Surf Trash Twist......
Saturday, 25 April 2020
Sonic Flowers - Beatitude (Private Label, No Ref. Number, 2003)
Friday, 10 April 2020
The Honey Machine - Buzzin' (Zabozodiac-Lonestar Recordings 2009)
On New Year's Eve 1966, shortly after the last concert of their "Hip in the Himalayas Tour", they disappeared in a mysterious way ... without a trace! For 40 years the real reasons for what happened to "the Honey Machine" remained an unsolvable mystery. That means 40 years ... until today! They are back! Accompany "Sparky", "Prof. Wasiliev", "Groovi Oovi" and the rest of the gang on their return to reality .... "Shake and Shout´till you pass out!"
The new band of the London / Nuremberg sixties legend Mark Lee is extremely dangerous - in a musical sense. In the meantime they appear very rarely, but always leave an amazed audience behind. Their music is wild beat action somewhere between the early "kinks" and the "small faces". Their sound blazes and burns and can hardly be captured - a spectacle in the end. -Source
MARK LEE started in the early 80's with the East London garage beat band THE SURFADELICS and became a well known act in the garage and mod scene in England. They were among a circle of bands like THE MILKSHAKES, THEE HEADCOATS a.o. In the 90s he continued with several solo releases with BRUCE BRAND (HEADCOATS/MASONICS) and HOLLY GOLIGHTLY. Taking an authentic garagerock style and the incomparable performance of MARK LEE as their starting point, they add in some traditional r'n'b, some organ-based soul or some psychedelic sounds - somehow it all fits together perfectly. Make what you will of this, what they really have is a groovy sound, that makes you dance and shout immediately." -Source
The Honey Machine - Buzzin' (Zabozodiac-Lonestar Recordings 2009) FLAC 320
Enjoy!
Sunday, 23 February 2020
The Artakees - Rush (Off Label Records 2020)
Their guitar riffs are reminiscent of the legendary The Kinks, the bass sound and the compact grooves may call The Sonics to mind. By dint of their singer’s bluesy voice The Artakees create a combination of catchy melodies with fuzzy guitars and the untamed energy of Medway Punk.
Fantastic young garage quintet from Germany I discovered last year.
It's available from Bandcamp, on Vinyl (limited to 300 copies) and as Digital Album.
Enjoy!
Thursday, 20 February 2020
The Neumans - The Neumans (Vinyl, Screaming Apple Records 2014)
‘Fuzz Filled Dreams’ - also issued as the group's debut 45 - is a full-blown trip in itself, the group seemingly caught in some back-in-time whorl of nightmarish hoopla ard green 'n purple torment that is positively seething in it's execution! Other titles such as 'I Don't Mind', 'I Had A Little Girl'', 'Stroke Of Midnight' and 'Gimme Your Love' - plus more - all have a cranked lean-ness that will surprise and delight, and give even the most jaded garage punk know-it-all a brand new Cheshire Cat grin for days, such are the Neumans' surefire whip-fast injections of total unexpurgated garage punk grooviness. Boys 'n girls I urge you to get with this before it gets with you. This is the past, present and future of rock'n'roll doncha just know it! -Lenny Helsing
Wednesday, 22 January 2020
The Way-Outs - Psychotic Retraction (Action Records 2007)
Killer diller sixties styled garage rock from the pride and joy of Belgium. Cranky vocals, complemented by squealing keyboard drills and lots of fuzztone guitars lead this disc to be a certified classic of its kind. - Beverly Paterson
Formed out of the ashes of the Evil Thingies, the Way-Outs are Belgium's newest garage sensation. They are the rawest bunch of Vox enthusiasts you're likely to hear. Super-fuzz-garage-punk-a-go-go. Going all the way baby, and beyond... -George Rigas
…this review is from the Lost In Tyme Fanzine Issue #4
The Way-Outs - Psychotic Retraction (Action Records 2007) FLAC 320
Enjoy!
Saturday, 19 October 2019
VA - Electric Carnival (Kinetic Vibes Records 1992)
After 2 long years of
preparation, you finally hold the KINETIC VIBES' international compilation: "ELECTRIC
CARNIVAL". 23 bands representing 10 countries; 73 minutes of intensity; a
12 page booklet full of liner notes; addresses + pix inside.
Only unreleased
songs.
VA - Electric Carnival
(Kinetic Vibes Records 1992) FLAC ART 320 incl. ART
Enjoy!
Saturday, 1 June 2019
Tuesday, 26 March 2019
Get Lost! - Live @ The Underground 4.10.2002 + Never Come Back (Voodoo Rhythm Records 2002)
The Get Lost were a Garage Rock band formed in 2000 in Bern, Switzerland by founding members of the Portland, Oregon eighties garage revival band, The Miracle Workers. Members included Gerry Mohr (vox,guitar), Robert Butler (bass, guitar) Chris Rosales (drums) and Kat Aellen (bass). The group recorded one LP for Switzerland's Voodoo Rhythm Records in 2001 entitled "Never Come Back". -Source
Picking up where the Miracle Workers' classic Inside Out left off, former members Gerry Mohr and Robert Butler, himself also the founder of garage legends the Untold Fables, have promised to ignore all the modern trends and bring to the world the most fuzzed-out psychedelic/garage trio yet: the GET LOST!
After the Workers ended in the early 90s Butler moved to Switzerland and played with bassist Kat Aellen in the heavy psych group "Bishops Daughter" and garage beat-band "The In-Sekt." Throughout the 90s they also produced and engineered recordings for dozens of bands wanting their trademark hard-hitting sound, including a number of releases on the highly-respected Voodoo Rhythm label. With Voodoo Rhythm chief Lightning Beat-Man, they shocked and sickened audiences across Europe in the legendary spectacle/ritual/show/circus, the Bad Taste Rock'n'Roll Revue.
Meanwhile, former Miracle Workers vocalist Gerry Mohr was singing under the name "Malcolm Crowne" for the American psych supergroup the Cavemanish Boys, whose album was released in 1999. Mohr moved to Switzerland in the summer of 2000, and during a casual jam-session the three realized there was unfinished business at hand. They resolved to form a new band, one which would put to work all they had learned in their years of writing, performing and producing the world's greatest psych and beat music.
Believing that only the loudest and most savage rhythms could compliment the howling fuzz of their songs, it was decided that Chris Rosales, also an American ex-patriot and drummer well-known around Switzerland and elsewhere for his pounding with Lightning Beat-man's group, "The Never Heard Of 'Ems," The "In-Sekt", "Les Super Supers soul revue", and currently with The Reverend Beat-man's band, would be offered the chance to regularly destroy his drums on-stage with The Get Lost.
After signing a lucrative deal with Voodoo Rhythm Records in 2001, the band flew to London to record their debut waxing, "Never Come Back". The trademark "vintage" sounds from producer Liam Watson's Toe Rag studios proved a perfect match for the Get Lost's dynamic rock'n'roll attack.
In the fall of 2001 Bassist Kat Aellen left the band to devote more time to her new band the Mad Cow Girls. A few months later with Butler now on bass, the Get Lost emerged as a three piece ready to head out on the road for thier first tour of Europe planned in Spring of 2002. -Source
Get Lost! - Live @ The Underground 4.10.2002 (Direct@WAVE) 320
Get Lost! - Never Come Back (Voodoo Rhythm Records 2002)
Gitarrist der MIRACLE WORKERS war ein gewisser Robert Butler, der nach dem Ende der MIRACLE WORKERS Mitte der Neunziger in die Schweiz übersiedelte und dort mit Bands wie BISHOP'S DAUGHTER oder IN SEKT weiterhin Musik machte - wie auch in den diversen Bands von Voodoo Rhythm-Boss Beat-Man.
Und hier fängt der Kreis an sich zu schließen: Als der einstige MIRACLE WORKERS-Frontmann Gerry Mohr nach dem Ende seiner CAVEMANISH BOYS ebenfalls in die Schweiz zog, kam es, wie es kommen musste.
Mohr und Butler fingen an zusammen Musik zu machen, und nachdem mit Kat Aellen eine Bassistin gefunden hatte und Robert Chris Rosales, mit dem er bei LIGHTNING BEAT-MAN und REV. BEAT-MAN gespielt hat, als Drummer gewinnen konnte, war das Line-Up von GET LOST perfekt.
Logisch, dass dann für die Album-Aufnahmen nicht irgend ein Studio ausgesucht wurde, nein, es musste schon das Londoner Toe Rag-Studio mit Liam Watson himself als Produzent sein, und dass bei so viel geballtem musikalischem Sachverstand dann eigentlich nichts schief gehen konnte, war beinahe klar.
Und bei diesen Einflüssen überrascht auch das Ergebnis nicht weiter: GET LOST! setzen genau da an, wo Butler und Mohr Mitte der Neunziger getrennte Wege gingen, führen das Erbe der MIRACLE WORKERS fort, spielen mitreißenden, fuzzig-psychedelischen Garagenpunk der Extraklasse.
Das tun sie durchaus im Hier und Jetzt, will heißen man legt keinen großen Wert darauf, jetzt besonders altmodisch zu klingen. Ein feines Album, das einmal mehr beweist, dass Voodoo Rhythm derzeit ganz klar das heisseste europäische Rock'n'Roll-Label ist. -Joachim Hiller
Monday, 25 March 2019
The Hanson Brothers - Live @ The Underground 13.5.2002 + some more
Thank You!"
Wiki says:
The Hanson Brothers were a Canadian punk rock band formed in 1984 in Victoria and later based in Vancouver. The group included John and Rob Wright and Tom Holliston, all members of the punk rock band Nomeansno. The Hanson Brothers' band name references characters in the cult ice hockey film Slap Shot.... more Wiki here
The Hanson Brothers have got to be one of, if not the, most fun and yet technically proficient pop punk bands that has ever existed. The hockey-obsessed mutant alter ego of Canadian punk veterans NoMeansNo, the Hanson Brothers take a concept as simple as Ramonescore, crank the musicianship up to 11, and let their freak flag fly with a zeal, humor and strangeness that will probably never be matched. At no point is their brand of weird "puck rock” better exemplified than on their debut 1992 album, Gross Misconduct, 14 of the zaniest yet technically shredding pop-punk songs committed to tape.
Led by Tommy and Johnny Hanson (brothers Tom and John Wright), their image is composed of one part Ramones and one part eponymous “Slapshot” hockey goons. For all their weirdo posturing and hilarious on-stage antics, including goonish tough-guy banter and a bass player sporting a hockey mask with “DUMB” written on its forehead, the music speaks for itself; drawing from a range of influences while sticking close to the spirit of Joey and Company, the Hanson Brothers take the predictability of the genre and twist it into something wholly unique.... Source
... so, and here is the album to the “My Game”-Tour
Hanson Brothers - My Game (Mint Records 2002)
They actually make the song Get It Right Back LISTENABLE, and what's more--GREAT!!!
Other highlights are the tribute to Joey Ramone, Joey Had To Go (which, despite the first couple of tounge-in-cheek lines, IS a real heartfelt tribute to the KING of Punk; just see the Hanson Brothers' DVD for further proof.
I Know You sounds like a song I've heard before, it's strangely familiar; it's ALSO excellent! Honey, I'm Home is another great rocker, and Unsung Heroes is a beautiful instrumental, sounding both triumphant and serene at the same time. It's PERFECT, the best thing on here.
Geez, you NEED some Hanson Brothers if you like rock 'n roll-style punk, like The RAMONES, you need Something by these guys!
You could much worse than this CD. Give it a try.
And watch Slapshot!
The whole concept behind this band was more than just the Ramones sound and hockey; it was the greatness of how the hanson brothers,who in the movie Slapshot, are the scoffed-at, yet they are the most ass-kicking players there are; they take no s--t! No time to mess around! And the Ramones? They never got no respect either--But they didn't let that deter them! They showed the world they were the BEST!!
Shlomo Sinatra
*** All the credit is due to MiTcH uSeLeSs, especially for the "Live @ The Underground". ***
The Hanson Brothers - Gross Misconduct (Alternative Tentacles 1992) @320
Enjoy!
Friday, 22 March 2019
FIFI & THE MACH III - Live @ The Underground Vol. 27 ~ 8.6.2002 + Vol.70~28.10.2003
The in total around 150 shows were recorded mainly through the soundboard, but, as usual in clubs of that size (around 300), guitars weren't put through the soundboard too loud as they come loud enough from the amplifiers.
MiTcH: "That might (compared with having been there that night) sound a bit lame and too voice-orientated, but in my opinion MUCH MUCH better than any audience recording.
Friday, 18 January 2019
The Young Pennsylvanians - The Incredible Sound Of.... The Young Pennsylvanians (Majestic Sound Records 2001)
Mammy Burgher: Bass Guitar
Kazuyo Burgher: Drums, Vocals
SY-Number1: Lead Guitar, Reverb & Fuzz
SY-Number2: Rhythm Guitar, Vocals
Ein langjähriges, intensives Studium der schönen (Garagen)-Künste zahlt sich eben aus. Bin immer wieder erstaunt, wie spielstark Bands aus Japan sind. Die Vier rocken sich durch den prächtigen Euro-Beat-Garten der Mitt-Sechziger und verstehen sich obendrein auch noch vortrefflich auf die Entsendung einer Teen-Punk-Hymne nach der anderen.
Da haben es wahrscheinlich selbst die "No Hit Wonders" besagter Dekade schwer gehabt authentischer zu klingen. Allerdings scheinen sie doch ein wenig Angst vor der eigenen Courage zu haben, denn sie verzichten fast durchgehend auf eigenes Material und bauen ganz auf die Klasse obskurer Coverversionen.
Eigentlich schade. Ändert aber nichts an der Tatsache, das "the incredible sound of..." vielleicht nicht unbedingt "incredible", aber in jedem Fall ´ne klasse Platte ist, die sicherlich zu den besten neuen Garagen Alben gehört, die ich in letzter Zeit gehört habe.
Wer also eine Vorliebe für "Pebbles" und "Back From The Grave" Compilations und Bands wie die frühen CHESTERFIELD KINGS oder THANES hat, wird um diese Scheibe nicht umhin kommen. Feines Teil.
Sunday, 6 January 2019
The Graves - Amazing Graves (Big Dipper Records 2002)
Thursday, 3 January 2019
The Indikation - In Terms Of... (Teen Sound Records 2004)
The long awaited debut album by The Indikation is finally out! The Indikation have been around for at least 2 years since they put out their first 45 on Larsen Records. They did create a very good reputation with their following 2 45s on Screaming Apple and Larsen Records and normally the album followed. The result is brilliant. This album is wonderful, full of freakbeat, pop and RnB music recorded in Toe Rag studios in London by whom else but Liam Watson himself. Mr. Watson is again responsible for a high quality sound record though it isn’t the high standards of sound that makes this album perfect. It’s mostly the ability of each one Indikation members starting from Per Oydir (organ/piano), whose compositions in here stand above the rest: Songs like ‘Looking At You’ (composed in collaboration with Frode Skjold, guitar/vocals), ‘London Electricity’ (with Thomas Jamt Roaas – drums), ‘Go To Tell Them’ and ‘By My Side’ are simply remarkable. The same ability in compositions is not a charisma only for Per but for the other members of the band like Peder Bernhardt (vocals/harmonica/percussion) who is responsible along with Thomas for the album opening freakbeat/pop song titled ‘Search your Heart’ and the up tempo beatlesque beat titled ‘I Can End Your Misery’, which is one of the best moments of the album, for its tempo, harmonies and organ groove. I don’t have to be unrighteous with the bass player, Christian Brodsjo, who may not have any of his own compositions in here but it’s more than obvious that its his ability along with Thomas that offers The Indikation this tight and strong rhythm beat. The album includes overall 12 songs from which the half of them is covers and it’s going to be out in vinyl too in March (why not the Acid Lemon album too, Massimo?). ‘In Terms Of…’ is the best beat album since The Embrooks ‘Our New Day’ on Voxx Records! You can listen it to it at 6.00 AM either you just woke up or you are on your way home after hangin’ out! POP in terms of The Indikation, that is, of course! If you need some satisfaction, The Indikation got the action!!! -Source
The Indikation - In Terms Of... (Teen Sound Records 2004) FLAC 320
Enjoy!



























